Eirene S. Allen, The Epic Women of Homer: Exploring Women’s Roles in the Iliad and Odyssey (Pen and Sword History 2025)
https://www.goodreads.com/book/show/219296084-the-epic-women-of-homer
Homer (whoever he/they were) didn’t just tell the stories of both the Greeks and the Trojans.
Where most ancient literature barely mentioned slaves, captives or even wives, Homer’s women are fully formed. The grief and heartbreak of the Trojan women is vividly portrayed, and Helen, the captive queen who causes the war, is a complex protagonist. The victim of sexual violence (or was it love?), her fate depends on the outcome of battle between men. Still, she exercises agency, and in her voice is placed the final lament in the Iliad.
Allen concentrates on precise line by line translation of the Greek, which at first it may seem a bit pedantic to non-Greek readers. I majored in historical linguistics, however, so I find it fascinating. But we must stick through it, otherwise, we miss too much.
In some translations Telemachus’ scolding Penelope to return to ‘the loom and the distaff’ can sound like teenage misogyny, until we understand that Penelope is Odysseus’ histos, his loom and his mast, a weaving term with connotations of ship-building and of pillars that hold up the rooves of family and dynasty.
Allen studies women’s roles as queen, captive, goddess or heroine, a structure I found not the most systematic. For example, the same scene of Telemachus scolding his mother is discussed in several different places.
A woman’s status was defined in relation to the men in her life. The bard implies, though, that the roles are complementary—we couldn’t have had the heroes without the heroines; it is the women who sing the laments, tend the shrines and keep the legends alive.
What you won’t find anywhere else is the amazing appendix featuring nuanced and insightful discussions on words and phrases (such as histos) within the cultural context of Homer’s age.
This review first appeared in Historical Novels Review.









