Tag: food

  • Review: How To Play Mah Jong: Essential Guide For Beginners

    Review: How To Play Mah Jong: Essential Guide For Beginners

    Charles Nathan, How To Play Mah Jong: Essential Guide For Beginners (Kindle 2022)

    https://www.goodreads.com/book/show/60148554-how-to-play-mahjong?ac=1&from_search=true&qid=MLR37tGssH&rank=1

    I love playing Mah Jong with my son Genji and Chinese daughter in law Guo, and whenever I visit their house, there’s an argument—shall we play Monopoly (Genji wants) Mah Jong (Mummy and Guo want). Now that I’ve purchased a gorgeous Mah Jong set ordered all the way from China, I think Mah Jong will be winning out, so I want to ‘bone up’, so Guo won’t have to instruct us all the time. I played Mah Jong when I lived in Japan, but never learned how to score.
    Kindle offered me this for £0.00, so what’s not to like?
    The rules are different from the rules Guo taught us. According to Guo you can only pick up a tile from the person to your left who just discarded, but only to meld a ‘pong’ (3 of the same) or a ‘kong’ (4 of the same); according to this book, you can pick up from anyone’s discard; and you can also pick up and meld for a ‘chow’ (straight), though chows don’t win you any points. And if someone interrupts the rotation order by picking a discard, the rotation continues anew with the player to their right.
    It also says you pile the tiles willy-nilly in the centre of the table; whereas, as everyone knows, you’re supposed to create a square wall of double rows of 13 from which the players draw their hands of 13, 14 for the one who’s going to play first. The last tile to be drawn is called the ‘hor’ (joker) and is displayed face up on top of the wall. In Japan, fights will erupt if this protocol is not observed to the letter.
    This book covers the basic play (according to somebody’s rules) and how to score, but does not include any points on strategy.

  • Review: The Warrior Gene

    Review: The Warrior Gene

    Neil Staley, The Warrior Gene (Kindle 2023)

    https://www.goodreads.com/book/show/77776478-the-warrior-gene?ref=nav_sb_ss_1_31

    Apex Labs agents Reg Thompson and Harry Caine are on a security stake-out, and a Fed from the FBI, Joshua Smith, is on a case nearby. He introduces himself, then shoots them in the head.
    Back at the lab, Dr Alex Bishop’s boss Henry Drexler calls him to take a look at Batch DD-401A. ‘incomplete data utility’. Yet the client is moving forward the launch of Phase One.
    A rhesus monkey named Jimmy is injected with ‘the Icarus particle’, and the moneymen watch as Jimmy viciously destroys an uninjected monkey.
    There are numerous characters and minor inter-woven plotlines—the secret commemorative reward in the box, James Devlin’s promotion and abduction by his father and Blakenstock, two security agents murdered outside Alex’s lodgings, Mrs Galasky’s witness statement, the investigation against the religious cult leader, the fire at the lab, the flash drive and the other-worldly voice, Audrey’s backstabbing, the Mamluks and The Overwatch in the desert, Harun the Invisible Light—and that’s only up to chapter 16. At the final hour the ritual in the desert, Klick’s abusive religious cult and the warrior gene storylines converge.
    The multiplicity of characters makes it hard to keep track—my brain protested at being introduced to a whole new set of characters in chapter 20. The ‘head-hopping’ (switching of Points of View) may be confusing, but it adds intrigue and gives the reader a chance to piece things together without having everything explained.
    This novel is brilliant at creating suspense, using various skilful techniques as well as the old cliff-hanger. The science appears spot on—indeed, MAO-A has been called the ‘warrior gene’. The dialogue includes a perfect comeback to ‘age before beauty’—‘assholes before angels’.
    I couldn’t understand the timeline of: James and his father’s boss Blakenstock giving him a big promotion, Blakenstock catching him in flagrante with a woman, and his massage (‘two hours later’ than the in flagrante). And what was the ‘giant fist smashing the building to the ground’ on page 161? And after Alex knew how evil the code was, why did he still want to save it?
    The Concept—a techno/detective thriller involving the so-called ‘warrior gene’ is great. This follows in the tradition of techno-thrillers about scientifically engineered super-soldiers (Frank Herbert, Dune; Robert A Heinlein, Starship Troopers; Jeff Vintar, ‘Hardwired’ [iRobot]) and borrows the elite troop of Mamluks guarding secrets in the desert from ‘The Mummy’, the hole in the centre of the ceiling from ‘The Fifth Element’ and the ‘bloodline’ idea from The Da Vinci Code—all tropes too good to exclude.
    The action is well paced using scene-setting and dialogue; the final chapters are a rollercoaster of excitement with a marvellous twist at the end. It would make a great action film.
    This review first appeared in Reedsy Discovery.

  • Review: The Sinner’s Mark

    Review: The Sinner’s Mark

    S. W. Perry, The Sinner’s Mark (Corvus 2023)

    https://www.goodreads.com/book/show/74836672-the-sinner-s-mark

    Elizabethan mystery full of period character

    Nicholas Shelby, the queens’ physician, is summoned. Queen Elizabeth is fading but is nevertheless still interested in ‘young men with good calves and passable looks’.

    Shelby’s father is accused of distributing a seditious tract, and he is determined to clear his name. One of the suppliers of ingredients for wife Bianca’s simples, Aksel Leezen, has willed to her his house in the Steelyard. There, Leezen has left plaster casts of bones—écorché models, for studying anatomy, explains Nicholas—and a gruesome wooded effigy of a dead girl with half a face. Three young boys go missing.

    An old war-buddy arrives—his marvellous name is Petrus Eusebius Schenk.

    As Shakespeare’s players act the assassination of Julius Caesar, actors in another plot are laying dastardly plans. As well as the nods to the Gunpowder Plot, which would happen five years after the events in this story, there are bits that were inspired by real occurrences in Elizabethan London.

    Dialogue is good, but we don’t really hear the voices of the characters. The Voice is that of omniscient narrator.

    This is sixth in Perry’s Elizabethan Jackdaw Mysteries series, and we know Nicholas, Bianca, Rose and Ned from the earlier books. Their characters are further developed here, and necessary backstory is well handled.

    The plot develops languidly, and the slow pace allows for character development and scene-setting and gives one a feeling of the period, when even a trip across London required a horse ride, a wherry across the river, a stay in an inn.

    Another element comes across as true to the period—the schizophrenic and precarious nature of the religious ups and downs and the shifting goalposts on what was considered heresy. The character Ned voices the experience of someone newly inspired by revolutionary Protestant sermons, and Schenk’s zealotry is believable.

    This review first appeared in Historical Novels Review.

  • Review: The Priest’s Wife

    Review: The Priest’s Wife

    A. G. Rivett, The Priest’s Wife (Pantolwen Press 2023)

    https://www.goodreads.com/book/show/198910874-the-priest-s-wife?ref=nav_sb_ss_1_24

    When her husband Hugh the parish priest dies, her adopted son Dhion—a time-traveller from the future introduced in Book One, The Seaborne—his wife Shinane and the other villagers help Morag with her loss. Shinane is carrying new life—twins.

    Morag has lost her husband and come Bride’s Day will have to vacate the priests’ house. She has lost her place in the mediaeval Scottish/Irish island’s society and even feels alienated from her new grandchildren. She travels to Kimmoil, her birthplace two days north, on a quest to discover the identity of her own mother. Aided by the mystical Guardians of the Island, she embarks on a spiritual awakening.

    She finds the welcome in Kimmoil less than warm; the town is suffering from an outbreak of scurvy. She meets the daughter of her half-brother, Sorcha, unloved as she had been, and Morag brings the girl back with her.

    After Hugh’s death, the villagers look to Morag for pastoral and ritual care. ‘Ye’re the priestess, Auntie,’ says Sorcha. But when the new priest Aidan arrives, he tries to pull the parish away from their traditional druidic beliefs and customs, now deemed heretical, and butts head with the shareg (headman). The lives of Aidan and Morag reach a crisis point.

    Beautifully written and evocative of the culture of the time. No anachronistic language intrudes upon the beautiful picture. We see a misty, green world, where the Otherworld of the Sidhe is not so distant from life among the living.

    A doctor, crofter and ordained minister himself, Rivett understands well the tight relationship of the peasants to the land and the seasons, and the religious ideas and practices of the period. The contrast between the ‘nature-affirming’ Celtic faith and the ‘nature-denying’ Catholic is very much part of the dynamic between Aidan and Morag.

    The review first appeared in Historical Novels Review.

  • Review: St Francis: An Instrument of Peace

    Review: St Francis: An Instrument of Peace

    Wendy Mason, St Francis (novum pro 2018)

    https://www.goodreads.com/book/show/42850145-st-francis—an-instrument-of-peace?ac=1&from_search=true&qid=hxdce2AC0F&rank=1

    Francesco Bernardone grows up in Assisi, the son of a wealthy cloth merchant. From an early age, he seems ill disposed toward a life of business, instead preferring drinking and singing. He is influenced by a literary diet of troubadour’s romances and longs to be a great knight like Roland. He was not particularly religious.

    One day, keeping shop for his father, he gives the entire day’s takings to a beggar, and feels spiritually enriched by the act, despite fierce scolding from his father.

    Defeated in battle, he is held for ransom at Pelugia for one year. In his small cell, he develops his method of ‘walking and praying’. He hears the voice of God, and repents his past lifestyle, beginning with the penance of a pilgrimage to Rome.

    On his return, he repairs the church of St Damiano. He hides to escape his father’s wrath but has to leave home to finally be safe. He becomes an itinerant repairer of churches, dedicated to teaching others ‘how it feels to love and support one another, to bathe in God’s grace and live in anticipation of everlasting life’ and founds an order of friars.

    The story is fictional but woven around what we do know of the historical St Francis. It is told in first person, and we walk alongside him. Mason really manages to bring the saint to life. His character arc, also, is interesting: the influences in his life and how they shape him and how he changes his life in order to fulfil his mission. The stories of St Francis’ life are absolutely beautiful. His travels feature some gorgeous, loving descriptions of nature, affection for which St Francis is so legendary.

    There is just enough of his early family life to explain how he was motivated by his father’s disapproval, and just enough action to keep the pace up.

    An enjoyable and informative read, and spiritually uplifting.

    I received an ARC from the author.

  • Review: The Way of all Flesh

    Review: The Way of all Flesh

    Samuel Butler, The Way of all Flesh (1903; this edition Dover Publications 2004)

    https://www.goodreads.com/book/show/126512.The_Way_of_All_Flesh

    This novel is Samuel Butler’s protest against Victorian-era hypocrisy. It centers around four generations of the Pontifex family.

    The narrator, Edward Overton, is godfather to Ernest, eldest child of Theobald and Christina.

    Theobald doubts whether he is suited to the ministry, but his father warms him against ‘the restless desire for change’ and threatens to cut him off, and he is ordained. The Misses Allaby play cards to see who will be matched to Theobald, and Christina wins.

    Overton remembers, as a child, the deaths of old Mrs. Pontifex and her husband John a year later. Their son George inherits a fortune from his aunt Alethea, and he is quite comfortable in doing so. The estate is to be overseen by Overton, who loved Alethea but never married her, until Ernest is twenty-eight.

    Ernest, a fourth generation Pontifex, becomes a clergyman, but his faith is sorely tested by controversies and unscrupulous individuals. He attempts a sexual assault on a woman he mistakenly believes to be of loose morals and is imprisoned. On leaving prison, he marries his parents’ former housemaid Ellen; they have two children and start a second hand clothing business. He discovers that Ellen is a bigamist and an alcoholic. Overton pays Ellen off and gives Ernest a job.

    It is full of very erudite humour, jokes about people getting Latin phrases wrong, that sort of thing, which provides a charming picture of what life was like for a certain class of people like the Pontifexes. Theobald is probably one of the most horrible parents in the history of literature. There are seven pages on the difficulty Ernest had applying himself to his studies, entire chapters on Alethea’s will.

    The writer George Orwell praised Butler as ‘courageous. He would say things that other people knew but didn’t dare to say.’[1] The society he paints is not picture-perfect. It’s full of adultery and illegitimate births. Even the clergymen are wicked.

    We read these classics to understand why they were considered masterpieces at their time, to appreciate the beautiful, verbose language, writing style which we would not use, today, and to understand thinking and cultural assumptions that we have forgotten, helping us to understand history.


    [1] George Orwell, BBC Home Service, Talks for Schools, 15 June 1945, reprinted in Collected Works, I Belong to the Left, p. 186

  • Review: The Mirror of Simple Souls

    Review: The Mirror of Simple Souls

    Aline Kiner, The Mirror of Simple Souls (Pushkin Press 2023)

    https://www.goodreads.com/book/show/62014708-the-mirror-of-simple-souls?ac=1&from_search=true&qid=fts2fss5Oa&rank=2

    1310 Paris. Ysabel runs the infirmary in the Royal Beguinage where she was raised, the religious women shut away from the fumes of burning Templars. Now old, she takes in a little beggar, a red-haired girl, Maheut. She does what she can to nurse the girl, but what was the cure for anger? She gives the wild child a gift, an aquamarine. The stone will absorb her anger, Ysabel says.

    Franciscan Humbert has brought messages from his master Jean de Querayn to Marguerite Porete, imprisoned by the Inquisition. Humbert is looking for the red-headed girl.

    Maheut’s red hair—’the colour of the devil’—gets her trouble. And worse trouble—she’s pregnant. Ysabel foists Maheut on the widow Ade, unwillingly, and the widow and girl do not warm to one another. Maheut’s daughter Leonor connects with Ade in a way her mother never did.

    Next Maheut is foisted upon silk merchant Jeanne du Faut. Marguerite is burned at the stake. Ade translates Maguerite’s heretical book, The Mirror of Simple Souls, into Latin and in the course of the work comes closer to Humbert, and their indiscretion is witnessed by Clémence.

    The vengeful fingers of the Inquisition shatter the peaceful life of the Beguinage.

    This rich historical drama is beautiful and unpretentious, a wonderful piece of historical fiction, fluidly capturing the feel of the period. Though it holds interest, the plot is slow, like the pace of life probably was back then. No one is murdered until page 247. It is told in present tense, bringing the reader right down into the story. Despite the wealth of detail, the Voice—14th century Ysabel, Ade, Maheut and Humbert—remains authentic, the characters completely sympathetic. It paints a wonderful picture of the world of the beguines, neither lay nor cloistered, ‘neither Martha, nor Mary’.

    This review first appeared in Historical Novels Review.

  • Review: Shadows on a Stone Wall

    Review: Shadows on a Stone Wall

    Mary Letts, Shadows on a Stone Wall (Blaize Bailey Books 2007)

    https://www.goodreads.com/book/show/5371775-shadows-on-a-stone-wall?ac=1&from_search=true&qid=80fSTrqRDP&rank=1

    This is a wonderful book, with the humanity of Ian McEwan and the humour of Roddy Doyle. I’m recommending it to everyone I know who likes these authors. Plus it has the added thrill of a murder mystery and a love story.
    When her mother dies in a car accident, Julia and her children go home to Spain for the funeral, an ex-pat community in the mountain village where she had spent a painful childhood.
    The beautiful view she’d grown up with from the country farmhouse she has inherited is now blighted by the concrete and asphalt construction of Florida-style retirement condos for the new ‘Holidaylandia’, of which her mother had been a vocal opponent.
    Then the property developers discover an ancient skeleton buried under a collapsed wall on the edge of her mother’s land—but how ancient? Neolithic? Spanish Civil War? Many villages had guilty secrets under Franco.
    Impending interrogation by ‘La Guardia’ livens up the conversations at the local drinking holes, as everyone tries to remember what they got up to back then.
    Those were hippie days, a time when parenting had fewer boundaries. Suspicion also falls upon the history of Euro-hippies that ‘showed up’, ‘hung out’ and ‘split’.
    Practically everyone in town has some guilty secret, even the children.
    The book is beautifully written, and never descends to banality. The plot is good, and the characters are profoundly likeable. The use of dialogue is absolutely perfect.
    The children in the story are portrayed lovingly and amusingly, but never patronisingly, and are so real they must surely be taken from real life. They play major roles in the plot, and are multi-faceted in their own right, every bit as interesting as the adult characters.
    I truly hope this book is not completely autobiographical, or if it is, that Mary Letts has more than one life story to tell.

  • Review: Circe

    Review: Circe

    Madeline Miller, Circe (Little, Brown and Company 2018)

    https://www.goodreads.com/book/show/35959740-circe?ac=1&from_search=true&qid=RnlnvQxeHx&rank=1

    6 stars!
    Divine daughter of Helios, Circe defies the Olympians by using magical herbs to interfere with the lovers Scylla and Glaucos and is banished to the solitary island of Aiaia. There she is visited by numerous personages we know from mythology—Hermes, Daedalus—many whom she makes her lover—as well as several shiploads of would-be rapists, whom she transforms into pigs. She practices her witchcraft on Jason and Medea, her sister Pasiphaë, Odysseus and his men.
    Circe has powers we mortal women may envy, yet she knows her limitations. In exile, she repents and is forced to come to terms with her existence. She makes her peace with Penelope and Telemachus, even leading to new alliances.
    From her spectacular debut The Song of Achilles, Miller pushes further back in time, to a magical age when gods walked among men.
    And she has further honed her craft. Circe is chock full of delicious phrases. A first kiss, ‘I reached across that breathing air between us and found him.’ The god Helios, her father was ‘a harp with only one string, and the note it played was himself.’ Odysseus, who ‘had walked with those who could crack the world like eggs’, describes Achilles, ‘prophecies hung on him like ocean-weed’, and period-appropriate metaphors, such as ‘There were answers in me. I felt them, buried deep like last year’s bulbs, growing fat’ and ‘The sky darkened like iron’.
    Following in the footsteps of Mary Renault, Miller gorgeously retells the old myths in a way modern readers can relate to. She captures evocatively what it would be like to be a goddess among mortals.