Rafaella Sparkle, Under Fluorescent Lights (2025)
https://www.goodreads.com/book/show/239665048-under-fluorescent-lights
An office building in Madrid just before dawn, something stirs under the fluorescent lights. The French girl types at her desk, next to her, her bike. Like the narrator in Rebecca, her identity isn’t recognised, no one knows her well enough to call her by name—no one except Jack.
The Opening is a bit subdued, but it lends a sense of foreboding, promising future action and intrigue, but the suspense building goes on a bit long. I was kind of expecting something bigger—some final chase scene or ticking time bomb. According to the principle of Chekhov’s Gun, I expected some excitement developing around her bike half-blocking the corridor.
The climax promised by the foreboding in the Opening never transpires. She gets a promotion which her colleagues resent. She develops a work relationship with a male colleague in London.
It’s rare to find a novel based almost exclusively on what happens in the office—I like that. And the story shows a deep understanding of the psychology of office politics. Each colleague shows nuanced character development. Despite the office animosity, having once been mates, Ava still sticks up for her. It might not be essential to the story, but I would have liked a bit more detail on what kind of work the company does.
When an office romance sours, it’s always the woman who pays the price, and that’s unfortunate. But there’s a happy ending for her, after all.
Very well written. Beautiful word choice and great pacing. I loved ‘sat like a fixed point around which chaos orbited’, ‘every scandal has a soft start’, ‘completely immersed in the sound of her own rise’, ‘walked through the doors, back into the performance’, ‘each floor smelled like printer toner and ambition’, ‘laptops tilted at identical angles’, ‘people trying to outshine their own shadows’.









