Aidan K. Morrissey, The Awakening Aten (Troubador Publishing 2019)
1420 BCE. In prison, Yuya interprets Perneb’s dream and tells him about the ten laws of the One God. Then, King Amenhotep’s (II) guards come for him. The king has had a dream. Yuya interprets it as foretelling famine, and the king appoints him Overseer of the King’s Granaries.
They are going to war against the Naharina (Mitanni), who are anxious for revenge after their defeat at Megiddo and have now formed an alliance of seven princes with Nubia and the Hittites. Royal tomb painter and architect Kha and stonemason Minmose are commissioned to immortalise the expected victory in stone.
The battle is won, but Kha is horrified by the carnage. A Mitanni princess is taken captive and given a Kemetian (Egyptian) name, Mutemwiya. Prince Thutmose has a dream instructing him to renovate the Great Sphinx, at the time buried up to its neck.
Haqwaset grows under the influence of grandfather Yuya; he becomes Amenhotep III. He has some 300 wives and concubines but prefers the company of his Chief Wife Tiye. He has designs for young Thutmose, his eldest, to be high priest of Ptah and Anen, Yuya’s son, to be high priest of Amun. He corresponds diplomatically with the rulers of neighbouring lands and entertains ambassadors. Tension grows between him and the priests of Amun.
Amun priest Nahkt plots to rob the tomb of Thutmose III and threaten the king himself.
The beginning leaves out from the familiar myth the juicier bits (the coat-of-many-colours, Potiphar’s wife) and instead focuses on the less interesting details (the stocking of the warehouses). I understand that the Amun/Aten conflict was one of class, but as it played out in religious matters, I would like to have seen more discussion of the relative merits of monotheism/Aten worship. Basing the plot around this class struggle would have been a ‘bigger’ plot, in my view, than a tomb robbery. The plot contrives a plausible scenario whereby certain persons and items were buried in certain tombs.
Morrissey goes with the identification of Yuya, father-in-law of Amenhotep III, as the biblical Joseph, a hypothesis with some merit. Thanks to the Egyptians’ tomb paintings and marvellous preservation of their dead, we know quite a lot about Yuya and the family of Amenhotep III, and around these details, Morrissey has constructed a narrative. This is also the period of the Amarna Letters, providing much juicy detail about the relations between Egyptian kings and other neighbouring royalty.
The is Book 1 of The Aten Saga series.









